Album review of Soft Sounds from another Planet by Japanese Breakfast

by contributing writer James Benjamin

Photo Credit: Ebru Yildiz

While living in densely populated cities — wholly consumed with distinctly human preoccupations we as people collectively decided are important — it is easy to

forget that the vast majority of known existence is made up of the dark, cold and empty space that stretches on infinitely between interstellar bodies.

Outer space is both beautiful and terrifying. Its scale and natural splendor is literally too much to fathom. Yet, despite the unimaginably large or dense structures found floating within, the black void of uncharted space can be a chilling reminder of our loneliness and vast ignorance.

Michelle Zauner chose space as the sonic setting for Soft Sounds from Another Planet, the second album released under the Little Big League vocalist and guitarist’s experimental indie rock project Japanese Breakfast. It’s a fitting realm for the album that explores the intermingled sensations of love and pain.

There is a sense of open space on the album, despite dense and occasionally nuanced production. This is an effect Zauner accomplishes with echoing vocals and

other-worldly synths. Perhaps the best example of both is found on the stage-setting opener “Diving Woman.”

Most of the songs on the album aren’t any more than a few minutes, but the meandering guitar on “Diving Woman” stretches it to nearly seven. The track is an ode to the traditional woman free divers found in the Korean island Jeju. Zauner plunges listeners deep into the album’s guitar- and synth-driven realm.

Photo Credit: Ebru Yildiz

From this opening baptism, listeners emerge to find a bouncier backdrop on “Road Head.” The song describes an act of wild and reckless adventurism representing a last-ditch effort to save an already doomed relationship.

The song is one of several fleshed-out or repurposed numbers from Zauner’s other musical projects or earlier Japanese Breakfast recordings. But those intricately familiar with the songwriter’s career output are not likely to find anything on Soft Sounds repetitive or redundant. Songs like “Road Head” have new, vibrant life recorded in the context of this album.

“Machinist” is one of the collection’s most intriguing moments. The double-meaning song is, on its surface, about a flesh-and-bone woman who falls in love with a robot. Zauner sings in a pitch-altered voice rem